At first, we came up with the idea to do something that connected the trans people that came before us and the free trans people we imagined existing in the future. It became important to us both to honor the path we were on, one that had been paved with so much of our history. Both of our processes took new shape as we began.
As the writing process began, the project as a whole became harder to do — not because of the subject, but because of the societal differences happening so violently. It was so hard to imagine a world where we’ve won, given all the death we’ve come to know for his year. But Kemi’s guidance led Vita to the idea of exploring our present in relation to how far we’ve come.
So Vita’s piece became less about how we’ve “won,” but more about how we’re winning, and honoring what it took to make it here.
As Kah’s visual piece developed, it became more about the adventure and freedom and creativity that is already a part of being trans.
Our work has the feeling of “outside the box” dreaming that’s manifested itself in our present day, not forsaking the past as forgotten, but honoring it as tribute to the magick we’ve created.